3/24/2023 0 Comments Millumin park chicagoThe sites represented in the collection include the Jay Pritzker Music Pavilion and the B.P. The majority of the collection consists of presentation boards showing elevations, site plans, renderings and architectural sections of the various sites in the park. Records contain information from the early planning stage of Chicago’s “Lakefront Millennium Project” in 1998 through the completion and opening of Millennium Park in 2004. Updated and ingested into ArchivesSpace by Michelle McCoy, 2022. Records, Special Collections, Chicago Public Library. When quoting material from this collection the preferred citation is: Millennium Park Inc. For some of the items, research copies may be made, but permission must be obtained from the Artist for other uses. Please consult staff to determine ability to reuse materials from collection. Please request materials at least 24-hours prior to your research visit to coordinate access. Oversized Folders and Artifacts are stored offsite and advance notice is required for use. Mark Sexton donated a set of construction plans and a sample of the corner brick used in Crown Fountain in 2010. Both donations were processed together in 2006. The next donation consisted of 11 boxes and 8 architectural models. The initial donation consisted of around 100 presentation boards concerned primarily with the Garden Competition that resulted in the Lurie Garden. The collection represents donations from the Millennium Park Office itself. designated the Chicago Public Library as the official repository for its archives in 2005, one year after the Park opened to the public. Landmark, and it now has the history it deserves.60 linear feet in 28 boxes, includes 13 VHS videos, 746 photographs, 6 CDs, 105 oversize folders/items, 18 artifacts, 1.11 GB electronic filesĬhicago Public Library, Harold Washington Library Center, Special Collections, 400 S. Symbol of the new Chicago, Millennium Park is truly a twenty-first-century And underlying Gilfoyle’s history is also a revealing study of the globalization of art, the use of culture as an engine of economic expansion, and the nature of political and philanthropic power.īorn out of civic idealism, raised in political controversy, and maturing into a The result is a thoroughly readable and lavishly illustrated testament to the park, the city, and all those attempting to think and act on a monumental scale. Gilfoyle studied the history of downtown spent years with the planners, artists, and public officials behind Millennium Park documented it at every stage of its construction and traced the skeins of financing through municipal government, global corporations, private foundations, and wealthy civic leaders. Timothy Gilfoyle here offers a biography of this phenomenal undertaking, beginning before 1850 when the site of the park, the “city’s front yard,” was part of Lake Michigan. Including structures and works by Frank Gehry, Anish Kapoor, Jaume Plensa, and Kathryn Gustafson, the park represents the collaborative efforts of hundreds to turn an unused railroad yard in the heart of the city into a world-class civic space-and, in the process, to create an entirely new kind of cultural philanthropy. Daley, “but artists really define a city.” Part park, part outdoor art museum, part cultural center, and part performance space, Millennium Park is now an unprecedented combination of distinctive architecture, monumental sculpture, and innovative landscaping. “Politicians come and go business leaders come and go,” proclaimed mayor Richard M. At its opening on July 16, 2004, Chicago’s Millennium Park was hailed as one of the most important millennium projects in the world.
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